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Home / Sound Libraries / Rolling & Spinning
$ 42.00
This library is great to quickly place samples for rolling objects but also a never ending collection of source sounds & textures for all things releated to rolling, rumbling, driving, rotating and spinning. I wanted to cover a lot of grounds, so I have objects rolling on grass, cobblestone, concrete, tar, wood, steel, plastic, carpet … and these objects include cars, bikes, balls, skateboards, stones, push carts, tires, garbage cans, a buggy, a wheelchair and much more. In addition, there are a lot of sounds in here I already used for designing otherworldy atmos or futuristic weapons, so lots of options here.
Most sounds are mono recordings with the mic following (or being attached to) the object. But there is also a section with bypass sounds in stereo and some onboard recordings in stereo. And not only the onboard of a car without motor rolling across different types of cobblestone, but also mics attached inside a garbage can which then was rolled through the streets.
This library contains my go-to sounds for all things rolling and most sounds have been recorded in 192kHz/24bit with Earthworks QTC50 mics to allow a maximum pitch / slowing down action. As the library evolved and grew over different years, a broad range of mics have been used. DPA 4060s, DPA 4061, Shure SM 57, JrF Contact C Series, Neumann KMR 81i, Ambient Emesser and on a few recordings I used other sample rates like 96/24 or 48/24.
Well-organized sound libraries improve your workflow and save a lot of time. That’s why our sound effects are categorized according to the Universal Category System and embedded with rich descriptive metadata.
The UCS aims at a consistent categorization of sound effects, a uniform file name structure and easier maintenance of a sound effects library.
Sound of Essen is a project by Nils Mosh, a field recordist, a sound artist and designer from Essen, Germany. In his works, he explores the spirit of sound from various locations. He always listens to the places in their social context and examines them for the interaction between nature and human-made influences. And in between, he simply opts out of the world and falls in love with the sound of the resonances of a handrail or the delicate chirping of a water beetle. In 2017 his recording „Das Team“ won 2nd price at the international radio award "60 seconds" in Canada. Besides recording in the territory of the wolf GW954f from 2019-2022 for the release „Of wolves and people“ (Gruenrekorder 214) with Melissa Pons, he presented sound art work at festivals like Tonwelten Festival (2023), Blaues Rauschen Festival (2023) or Weimarer Sommer (2018). He collaborated with dance & perfomance artists for performances in Montreal, Tel Aviv and across Germany. He also lectures about field recording at the universities in Darmstadt & Duesseldorf. Besides his sound art & field recording work, he also runs the blog Sound of Essen and sells sound effects for games & movies. His focus is on local sounds, which he explores with his deep knowledge of these specific sounds and which are sometimes hard to get in other places of the world. His libraries range from local animals to unique aircrafts and farming machines.
Sound of Essen is a project by Nils Mosh, a field recordist, a sound artist and designer from Essen, Germany. In his works, he explores the spirit of sound from various locations. He always listens to the places in their social context and examines them for the interaction between nature and human-made influences. And in between, he simply opts out of the world and falls in love with the sound of the resonances of a handrail or the delicate chirping of a water beetle. In 2017 his recording „Das Team“ won 2nd price at the international radio award "60 seconds" in Canada. Besides recording in the territory of the wolf GW954f from 2019-2022 for the release „Of wolves and people“ (Gruenrekorder 214) with Melissa Pons, he presented sound art work at festivals like Tonwelten Festival (2023), Blaues Rauschen Festival (2023) or Weimarer Sommer (2018). He collaborated with dance & perfomance artists for performances in Montreal, Tel Aviv and across Germany. He also lectures about field recording at the universities in Darmstadt & Duesseldorf. Besides his sound art & field recording work, he also runs the blog Sound of Essen and sells sound effects for games & movies. His focus is on local sounds, which he explores with his deep knowledge of these specific sounds and which are sometimes hard to get in other places of the world. His libraries range from local animals to unique aircrafts and farming machines.
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All prices are net, additional VAT may apply.
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